FAIRFM is on the move once again, and this time the revolution will be streamed live! Bringing you Fidelity a la Insurgency Radio 88.8 FM; compiled from stolen sounds and captured compositions, the humdrum of today’s “lo-fidelity” society gets mixed down into five minutes of performative piracy. Transmitting across two frequencies this bootlegged broadcast masks itself, just as the pirate is a revolutionary liberator masked as a marauding low life. From lo-fi to no-fi to wi-fi to hi-fi. This is the new hi-fi.  Tune in to FAIR 88.8 FM !

Included in Low Lives 3, an international festival of live networked performances streamed worldwide, you can catch the performance in real-time, screening at a number of art spaces worldwide, including Portland Institute of Contemporary Art (USA), Utah Museum of Fine Art (USA), Museo de Arte Contemporaneo de Oaxaca, (MEX), Attakalari Centre for Movement Arts (IND) and 30 other art spaces, galleries, and museums in Mexico, Brazil, Spain, Tanzania, Trinidad & Tobago, Germany, Japan and the USA.

Check it out online by tuning into our live, lo-fidelity ‘bootlegged’ broadcast aired exclusively on April 30th 2011 at 10:30am (WST-Australia) or at 10:30pm April 29th 2011 (EST-USA) at  http://www.ustream.tv/channel/low-lives-3

Viva lo-fi !

UPDATE: May 01 2011

Here is the performance as seen on http://www.ustream.tv/channel/fidelity-a-la-insurgency-radio

I know I’ve done some less-than-ethical things in my youth, but I’ve struck a new all time low…  I’ve recently been selected, alongside 49+ other artists across the globe, to get low in Low Lives 3.  Check out the release:

Low Lives is pleased to present Low Lives 3, the third installment in a series of annual international art events. Low Lives 3 will feature more than fifty live performance-based works over two days, each transmitted over the web and projected in real time at venues across the globe, with a special spotlight on contemporary choreography. The exhibition will begin on Friday, April 29 from 8-12 pm (EST) and continue on Saturday, April 30 from 3-6 pm (EST).

Founded in 2009 by artist and independent curator Jorge Rojas, Low Lives highlights works that critically investigate, challenge, and extend the potential of performative practices. The project celebrates the transmission of ideas beyond geographical and cultural borders, offering global audiences the opportunity to consider live performance in both physical and virtual space.

By featuring performances at numerous venues and broadcasting those works via multiple online networks, Low Lives provides a new model for efficiently presenting, viewing, and archiving live performance-based art. The annual exhibition embraces low-tech aesthetics, such as low pixel images and muddled sound quality, to emphasize the raw quality of the broadcast and reception of the works.

Now in its third year, Low Lives has expanded its reach to over twenty presenting partners in the United States, Mexico, Spain, Germany, India, Tanzania, Japan, and others. Presenting partners for Low Lives 3 include: Alice Yard, Port of Spain, Trinidad and Tobago; Aljira, A Center for Contemporary Art, Newark, New Jersey; Attakalari Centre for Movement Arts, Bangalore, India; Center for Performance Research, Brooklyn, New York; Chez Bushwick, Brooklyn, New York; Co-lab, Austin, Texas; QMAD, Queens Media Art Development in partnership with Crossing Art Gallery, Queens, New York; Diaspora Vibe Gallery in partnership with AE District, Miami, Florida; DiverseWorks in partnership with Box 13, Houston, Texas; Elon University Department of Art & Art History, Elon, North Carolina; Fusebox Festival, Austin, Texas; Konic Thtr, Barcelona, Spain; La Periferia, Mérida, Yucatán, México; La Perrera in partneship with MACO, Museo de Arte Contemporáneo de Oaxaca, Oaxaca, México; Living Arts, Tulsa,Oklahoma; Mascher Space Co-op, Philadelphia, Pennsylvania; Mindpirates, Berlin, Germany; Obsidian Arts, Minneapolis, Minnesota; On the Boards, Seattle, Washington; Portland Institute for Contemporary Art, Portland, Oregon; Real Art Ways, Hartford, Connecticut; Simba Theatre Art International in partnership with Village Museum, Dar es Salaam City, Tanzania; SOMArts, San Francisco, California; the temporary space, Japan; and Utah Museum of Fine Arts, Salt Lake City, Utah.

More to come on this one…..

It’s on now.  I’m three days into my debut solo exhibition (in actual terms).  Now I’m beginning to feel like an artist! The gallery is a comfortable space near down-town Perth, Western Australia, called Gallery Central. The show will be up for the next two weeks. Check it out at http://displace.me.

Here is the gist the exhibition:

“Transforming the gallery into his own deserted island, North American nomad Nathan Stevens leaves you stranded in this landscape of found and lost discoveries.  Influenced by ideas of cartography and communication breakdown, surveying and self-surveillance, this moving series of installations unpacks processes of personal displacement and dislocation through interactive broadcasts from a shipwrecked radio station; endless conversations with an auto-poetic artificial intelligence; a model for multi-dimensional travel to the Bermuda Triangle; and a body of unidentifiable glass objects.”

As you might notice, most of the work involves wood.  This is for a number of reasons, the most important being that the work is created from recycled/discarded shipping pallets (which are free ‘round these parts….). Another reason being that much of the work is ‘about’ travel, relocation, and placement. However, the most significant reason for the use of shipping pallets to create this body of work relates back to the first project I created (or better yet ‘craeted’) here in my journey ‘down under’, Other Side. In essence, these works are reconstructed from the ruins of that work.

I’ve recently been invited to exhibit in the International Festival of Contemporary Art in Ptuj, Slovenia.  The work that I am showing is a video piece created especially for this exhibition, premised on concepts of fluid identity, dispersed selves, and the despatialisation of subjectivity. Here it is, hear the lion roar:

About the festival:

According to the festival’s website, “ART STAYS, International Festival of Contemporary Art, is with ART PTUJ the main annual visual art event in the region of Ptuj. It started in 2003 as a visual art workshop for young European artists. This year’s programme includes 10-day residency working sessions and several four-week-long exhibitions.

The 8th edition of ART STAYS 2010 will host over 50 artists from 15 different countries: Italy, Slovenia, Germany, Spain, Slovakia, Hungary, Switzerland, USA, Bulgary, Great Britain, Austria, Singapore, Australia, Finland and Ireland and 4 continents:  Europe, Asia, North America and Australia.

Jernej Forbici, art director of ART STAYS said: “This year’s ART STAYS will be the richest ever. It will host artists of great artistic quality and what is especially important for us, also great projects designed specifically for the city of Ptuj. For ten days we will be witnessing an outstanding development of different art projects and then for an entire month admiring the results at the exhibitions, taking place in more than ten exhibition spaces all over the city and elsewhere. The music festival Arsana that will take place in Ptuj at the same time is an outstanding music event that together with ART STAYS creates a big “festival happening” that we named ART PTUJ.”

The forthcoming edition will feature a total of 40 artists including painters, video artists, performers, graphic designers, sculptors, media and sound artists that will be present in 5 European national pavilions: Italy, Germany, Slovenia, Hungary, Slovakia and in 5 additional international projects: Video art, New media exchange Main USA, Performing art, Site specific projects, Art Factory.”

The festival runs from July 20 - August 31.